1.Perchè Verga had planned to write the "cycle" of the vanquished?
2.Ripercorri the main characteristics of naturalism, showing the reason for the romance cycles, especially in Zola (Zola to be considered a reference model).
3.What are the most important features, themes and styles present in Malavoglia?
4.Why Malavoglia the novel has been called a "chorus"?
5.What do we mean by "perfect oyster" Which character in the novel embodies why?
6.Perchè Malavoglia are the losers?
delineates the differences that exist between the macroscopic and Malavoglia Mastro Don Gesualdo.
MARIANGELA Leotta
1) By the end of the cycle is indicated Won all novels which would be composed of a challenging project of literature the writer Giovanni Verga. To form the body of this cycle should have be a group of five novels in defining theme: The Malavoglia
§ § § Mastro-don Gesualdo
The Duchess de Leyra
Scipioni
§ § Mr Man luxury
The entire series, according to the original design of the writer, should have been a common theme and common denominator of universal dell'indiscussa one man's struggle for existence and progress. The complete work will remain unfinished as the Duchess de Leyra is only sketched, while the last two novels under the Cycle, The Honourable Man Scipioni and luxury, will not even be started.
2) By analyzing the work of Flaubert (follower of Balzac), Zola confirmed the general outlines of the naturalist novel: The first character is an exact reproduction of life, the essence of each element of romance is absent even any type of crossing, even the most simple. The second character is the disappearance of the heroic figure, attributed to a human scale, to the physiological reality of a life policy. The beauty of the work derives from the truth of the facts and documents, the painting where the artist lets talk about real things, to live independently, without overlapping them. The third character is the writer who "pretends to disappear behind the action that tells. The author is not a moralist, but an anatomist who just says what is in the body human.
3) The main theme is that of pessimism and the "stream of progress" ... the Malavoglia the novel is part of the so-called cycle of the losers (in order from the compound Malavoglia Mastro Don Gesualdo, the Duchess of Leyre, l ' Mr Scipioni, the Man of luxury, which was actually completed only the first 2). Verga in them investigating the mechanisms that govern life in the countryside as in cities that are based on the law of the strongest, on the calculation, the interest on the worship of money, mechanisms carried by the progress so revered in this period in absolute faith in science rod which he lived ... But instead of dwelling on the characters that take advantage of progress, focuses its attention on " vittime" di esso, e per spiegare i meccanismi della vità sociale parte dalle classi più basse dove sono più semplici, per arrivare poi gradualmente a quelle più alte (vedi i titoli degli altri romanzi...).
Il tema principale è questo, legato alla visione pessimistica del mondo dell'autore, secondo cui queste leggi sono immodificabili...per cui si mette in evidenza il conflitto tra il mondo antico e quello che segue l'Unità d'Italia, incarnato dal conflitto ntoni-padron ntoni, la cattiveria dei personaggi secondari, che non comprendono la dignità e l'onore della famiglia malavoglia che anzi è spesso presa in giro...sono temi che si ritrovano anche nelle novelle.
ANTONELLA SAVE '
Malavoglia
The novel tells the story of a family of fishermen who lives and works in Aci Trezza, a small town in Sicily located near Catania. The novel looks
choral and represents the characters united by the same culture, but divided by ancient rivalries.
The writer adopts the technique of impersonality, reproducing some features of the dialect and adapting as much as possible to the point of view of different characters, giving up the usual mediation of the narrator.
main themes: family
Giovanni Verga back over and over again on a theme: that of attachment to family, home, the house, it is easy to understand, then, the feelings of bitterness and pain of those forced to sell their homes to pay debts of an unfortunate affair, as is the case Malavoglia. The stuff
attachment to the stuff, then, is the main theme of the entire novel, which means to stuff the whole set of objects, be they buildings, parcels, vehicles, animals, needed to live. Here, then, demonstrated the inability to detach from their environment.
style
about the style of Giovanni Verga should be noted the high frequency of the dialogues and the use of a period readable dissolved. Direct speech and indirect are often mixed and the author takes possession of the language even more directly so direct, sincere and humble people of color.
4) In short it would be a novel written with the perspective of the people ... in fact the realist writers such as narrative technique, give up the omniscient point of view (that they know everything, is to add personal comments to make some revelation or prolepsis) to adopt the internal point of view, although not directly involved in the story, which is defined precisely choir (which reveals the ways of thinking and collective expression of the characters).
why anyone wants to go against Correne thoughts or the "laws" of the people is doomed to fail and be a "win" or rather a failure and in very reluctantly follows him Verga (mena = practical example, the eldest daughter, is considered a victory because, after the misfortunes happened to the family indulges in what might seem his destiny [to be an old maid forever] and does not change his social status by marrying Alfie, not to fall alttro disgrace over his sister already shamed by the people).
5) The ideal oyster that brings together the "humble" Verga's not born to be a breakthrough in their thinking, a philosophical speculation of high-level, not the result of free choice: it is a necessity dictated by a stubborn will to survive and fronted by an instinctive sense, the oyster is attached to the rock but if you come off being swallowed by bigger fish to refer this to the fact that the man who defies society is lost and swallowed up by it .. so reluctantly in those who have tried to win the company trying to become rich have lost everything ... reasoning is very important that will affect many writers italiani.Nei Ntoni reluctantly tries to change their reality, leaving aside the business that has allowed his family to survive for so long and ended in ruin
6) As we have emphasized and Verga says the same as in the preface, the issue is addressed that the struggle for basic human needs, the theme of work and ceaseless effort to achieve results then destroyed by misfortune, the subject of vinti.Infatti are the 'expression of a deep pessimism, not redeemed by any vision of the afterlife not supported by any religion, by any hope of redemption: a bad sign of devotion to suffer in a world of outcasts, which are the most authentic aspect of human existence, which are subject to an "inevitable" that forces them to role of "losers", whose dignity is only saved by the heroic tenacity to pull "life with his teeth as long as you can" and that sort of "religion of the home" that holds them together.
CONCETTA RUSSO
The main themes of Malavoglia are -attachment to the stuff: Giovanni Verga resumed several times the economic discourse, even in family tragedies. For example, when Bastianazzo dies, the first and last thing he says is that the boat was laden with lupins: the economic factor is therefore very important. But Rod wants to emphasize the difference between the malice of the people and the family busy. Indeed it is the people to think that Padron 'Ntoni worry lupins, when it is afflicted the child. I Malavoglia per tutto il romanzo sono tesi a recuperare la condizione economica iniziale, o a migliorarla. L'economia del paese è chiusa e di tipo feudale: le classi sociali sono immobili e non è lasciata nessuna possibilità alla libera iniziativa (come dimostra l'investimento nei lupini avariati).
-Gli affetti familiari e le prime inquietudini per il benessere :Giovanni Verga torna più e più volte su un tema preciso: quello dell'attaccamento alla famiglia, al focolare domestico, alla casa; è facile comprendere, quindi, i sentimenti di amarezza e dolore di chi è costretto a vendere la propria abitazione per pagare i debiti di un affare sfortunato, come nel caso dei Malavoglia. Per i Malavoglia la "roba" consiste in Providence and in the house by the medlar tree. When both are lost, the family members feel they have lost the very roots of their existence. Only at the end of the novel, Alessi able to recover the house and with it the legacy of the past and the family affections.
- ideal oyster: do not try to change their situation otherwise ends badly, in fact according to Verga only those that fit can be saved.
The concept is based on the belief that the oyster for those who belong to the group of weak must remain clinging to the values \u200b\u200bof family, work, ancestral traditions, to prevent the world, namely the "voracious fish, they devour . In
Malavoglia Verga parla dell’ideale dell’ostrica che sostiene la povera gente.
Nel concetto dell'autore, finché i contadini, i braccianti, i pescatori vivono protetti dall'ambiente che li ha visti nascere e crescere, finché credono e rispettano i valori in cui hanno creduto e che hanno rispettato i loro padri, allora, anche se poveri, sono al sicuro. Il problema nasce quando cominciano a provare il desiderio del cambiamento, il desiderio di migliorare, di progredire. Come l’ostrica che vive sicura finché resta avvinghiata allo scoglio dov’è nata, così l’uomo di Verga vive sicuro finché non comincia ad avere smanie di miglioramento.
Nei malavoglia il personaggio che incarna l’ideale dell’ostrica è Ntoni che cerca di cambiare la propria realtà lasciando in disparte il commercio che ha consentito alla sua famiglia di sopravvivere per tanto tempo e si è ritrovato in rovina
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