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The "Providence" is shipwrecked (I Malavoglia Chapter III)



 Fanno il punto sul brano 

MARIANGELA LEOTTA


 La Longa è la moglie di Bastianazzo ,la buona massaia.Si da da fare per contribuire al bilancio famigliare.La sua serenità svanisce con la morte prematura del marito e poi del figlio Luca,il dolore per queste perdite the premature aging and his life is shattered by a serious disease: cholera.
The country towards the misfortune of Maruzza behaves suspiciously, this can be understood from the behavior of gossip against him and his cousin Anna Piedipapera that was met with hands on belly, (a sign of misfortune, because the belly is a symbol of maternity) without saying anything, then you feel a sense of pity for the misfortune, by the country but also of Longa who takes refuge in the house.
Verga was the intention of the novel had to be a "sincere study" on a community of Sicilian fishermen, and a choral narrative, in the sense that the narrative voice loses its identity in order to multiply and confused voices of the people that make up the village community. Speaking in third person you put in a position outside the story, in fact we have no personal intervention by the author in the narrative, there is no spokesman for the characters but never lets you talk freely.
is a difference that corresponds to the personal conflict between Verga in the rational acceptance of the Darwinian principle in the struggle for life, with laws that guarantee the ruthless natural selection and emotional attraction towards an archaic reality of Sicily seems the repository of traditional values. Before that show the writer does not deve cedere alla pietà,perchè si tratta di un fenomeno naturale,né buono ,né cattivo.Può solo studiarlo e rappresentarlo in tutti i suoi aspetti.
I luoghi dove si svolge l'azione sono la macelleria,la chiesa ,la spiaggia,la sciare e nella casa del Nespolo dove vivevano i Malavoglia. 

Mery Pafumi
Maruzza la Longa, già nell'aver saputo ciò che era accaduto alla nave su cui si trovava suo marito,  rimane senza parole e  passa giornate intere senza parlare. Ma ecco che arriva la notizia tanto temuta; quella della morte di Bastianazzo, marito della Longa. Inizialmente lei non  understands and keeps repeating: "Oh Mary" until she learned the news with a cry of despair and puts his hands through his hair and is holed up at home. All
Maruzza the villagers saw her as a woman left alone with nothing, a poor woman who felt sorry for him and for punishment, the villagers were standing around, trying to comfort her as much as possible. This attitude towards him is also highlighted by the words used in the text: (poor, poor woman ..).
Verga's novel, is distinguished from others because of the technique used, because the writer never speaks in first person, but does talk all'imoersonalità tip the characters themselves, let the story unfolds by itself, through the point of view "inside" the characters.

The tendency to adapt the story as much as possible to the reality of the characters also affects the language, Verga chooses a particular language mix that blends the vocabulary of the language and the syntax of the national parliament.
the basis of its principles we see some Darwinian literary approach: obtain information about the materialistic view that human nature is united to that of animals and thus also its behavior is determined by basic instincts and needs. Verga denies the freedom of choice appears to him as each conditioned by two factors: the environment in which it is format with the laws that regulate it and inherited characteristics that determine their behavior. On this rests the iron law of natural selection, whereby the weak are bound to lose in the struggle for life than those that are most appropriate.
The sites are: the lava, Pizzuto's shop, the beach, Osteria, the butcher, the church, the balcony of the house Maruzza.

ANTONELLA SAVE '
Maruzza: She is very quiet, reserved and sweet. You, as a good Sicilian woman, is not it intrudes in the affairs of men, but let me choose them every important decision. It shows a good wife ready to treat husband to mourn the departure and after his death. It is also sad for the children especially 'note and Mena. She first saw him and was sad when she realized that her son was "different", then burst into a crisis when he learned of the decision to 'go Ntoni of the family. We see it all his attachment to 'Ntoni when he has a last conversation with him last because there will be after the death of Maruzza. In this meeting the two characters are open and we see all their love ourselves and above what is stronger than the love of the will of rebellion. Even with Mena Maruzza has problems, in fact, during the engagement party Brasi between Mena and she is very happy but very soon became aware of that his happiness is useless. The daughter unfortunately was sick because she did not love Brasi, but Alfie, and his mother after he realizes the grave mistake they were committing, and fully shares the feelings and emotions of her daughter. Maruzza you never back to the duties, it easily gives the house by the medlar tree and helps everyone else in rehabilitating the economic conditions of the family.
ll "second player" of the novel is the whole country, composed of people united by a common culture but divided by ancient rivalries, guys who talk and mingle with each other, creating a choral effect that in the early chapters almost confuses the reader . Santuzza, the landlady, who symbolizes deception, Don Michael, the corrupt police sergeant, Don Sylvester, the secretary who runs like a puppet mayor, Alfio Moscow, Carter resigned to his fate as a worker, Bell Wood, a wealthy and avaricious ladies are some of the most important. Contrary to what one can also think of the donkey Alfio Moscow importance in the economy of the novel. This animal is the symbol of the vanquished, only the poor who must work to earn a pittance, "donkey meat - muttered 'Ntoni - that's what we are! Meat from work. "
The representation is based, naturalistic, on a precise documentation (historical, environmental and linguistics), but the writing, taken down inside the archaic values \u200b\u200bof that environment, it is not cold, and even offers an emotionally intense vision of that world. The writer is not directly participate, the realist canon of impersonality is achieved by giving the word a popular narrator, whose voice tends to coincide with that of the community, talking about it for chorale story, in which the protagonist is' entire community.
The narrative uses a mixture of original language, which blends into the structures of the average current syntactic forms of the Sicilian dialect and colloquial expressions, with results of narrative immediacy. Stylistic features
applicants in the novel are the free indirect discourse and the technique of estrangement, according to which aspects are presented as normal and usual strange, unusual.
Verga accept the rational Darwinian principle of struggle for life, with laws that guarantee the ruthless natural selection.
This concept of "struggle for life" that Verga had already used in the preface to the vanquished, and that was already present in the first draft of the cycle of novels, is derived from the application, commonly known as social Darwinism, some aspects of evolutionary theory Charles Darwin in the social field.
Darwin argued, in fact, echoing the argument of the economist Thomas Malthus, that between individuals there is a struggle continua per la sopravvivenza perché il numero degli organismi viventi è superiore a quello che può vivere con le risorse di cui si dispone.
A sopravvivere a questa lotta sono i più adatti alle condizioni di vita in cui si trovano che possono così trasmettere i loro caratteri ai discendenti con una naturale selezione.
I luoghi sono: la sciara, la bottega di Pizzuto, la spiaggia, L'osteria, la macelleria, la chiesa, il ballatoio della casa di Maruzza.


CONCETTA RUSSO
Maruzza la Longa apprende la morte del marito Bastianazzo attraverso i comportamenti insoliti dei paesani nei suoi confonti. Per esempio le comari mentre tornavano stopped by the tavern to trade a few words with her, a friend of her husband Bastianazzo, as it appears or will appear Mangiacarrubbe Cipolla, rising from the lava were going to ask her husband and did a little 'company. She frightened them unusual attention from those looking bewildered in the face and clutching his chest in the baby. Maruzza one day returning home he found a group who were waiting nearby. As they saw her from afar, Piedipapera godmother and cousin Anna came to meet with his hands on his belly (a gesture that indicates participation in disgrace from other mothers, because the belly is a symbol of maternity), saying nothing . Then she drove the nails in the hair with a desperate cry and ran to hole up at home.
The author recounts the event from the perspective of the characters and keeps eclipsed, as it falls on the same level of the characters so far as to imitate the forms of expression, their identification with the imaginary, giving up more than they know about the story being told.
Verga is influenced by the Darwinian prinicipi. He accepts the rational principle of the struggle for life, with laws that guarantee the ruthless natural selection.
The sites are: the lava, Pizzuto's shop, the beach, the inn, butchers, church



JADE GIUFFRIDA
In Chap. III of "Malavoglia" we are witnessing the first death. The boat carrying the lupins Bastianazzo sinks and dies in a storm at sea. This death hits and sweeps the serenity of his wife La Longa (Maruzza). The places where it grows up are: lava, Pizzuto's shop, the beach, Osteria, the butcher, the church, the balcony of the house Maruzza. To reconstruct its economic and cultural-anthropological, linguistic and the fishing community of Aci-Trezza, the writer devoted to intensive work of collecting material on the traditions, customs, proverbs, using in particular the studies of the ethnographers Joseph Pitre and Santo Rapisarda. But beyond the materials that substantiate the texture of the novel, are other interesting aspects of Malavoglia. First of all, the eclipse of the author, narrator's identification with a community-rural archaic, the "chorus" of villagers-Aci Trezza, a new language, based sull'impasto of Italian with the Sicilian dialect, not recovered in its raw materiality but in its syntactic structure, in its idioms and proverbial phrases transposed into language. Verga Manzoni revisits the concept of language (which was likely to result in a Florentine style) in the direction of a modern regional Italian. He, according to In his own words, he was able to talk in this way the fishermen of Aci-Trezza with a "language that was intelligible to most Italians, she also managed" to describe the events as reflected in the hearts and minds of its characters "(L. Spitzer). On the basis of the beloved opera Zola and his positivist myth of progress, Verga noted as the dynamics behind this myth creates perpetrators and victims, winners and losers, according to a principle of natural selection called "Social Darwinism" . He too starts from the perspective of the vanquished, but, unlike Zola, does not believe in the myth of progress, and its radical pessimism leads him not to delude themselves about the possibilities of liberation and redemption of the lower classes. Verga's conception of reality is not only dramatic but essentially tragic. Under these convictions, it was not possible to give the novel that 'impression of cool and calm reflection "in Verga Capuana talked to in a letter dated 1879.
Marco Siracusano

Maruzza the Longa, Bastianazzo wife, anxious for your trip that is bound to make her husband, so much so that he can not sit still for a moment, he realizes be a widow by the behavior of people in the country against him. People do not talk of nothing but the load of lupins padron 'Ntoni. The uproar that you create does nothing but enhance the mood of Maruzza, which learns the death of her husband when a group of women waiting at the door of the house, comes to her to comfort her. Some women in the group, holding her hands on her stomach, a gesture that indicates participation in disgrace from other mothers. The reaction is plausible Maruzza with hands close to the hair ran into the house.
What upsets, is the reaction of some men in the face of such misfortune, many believed the deal padron 'Ntoni, and were concerned for their economic loss, rather than that of the two lives. The same master 'Ntoni, which closes itself to think about the business of lupine that should have guaranteed to the family if not a comfortable situation, at least security.
Verga focuses on the views of the characters, almost becoming a country. He keeps away from the role of the narrator and identifies herself in the forms of expression of the characters themselves. As if they were to tell him the story.

Verga is influenced by the Darwinian principle of rational struggle for life. Of course, accepting the laws dictated by natural selection, Darwin argued that to survive in this "fight" are the most suitable living conditions in which they occur. By changing their way of being based on various conditions, so that it can be transmitted to offspring with a natural selection ..


The places are the lava, Pizzuto's shop, the beach, Osteria, the butcher, the church

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